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American artist Sarah Sze (born 1969) exhibited her first solo show at the Fondation Cartier pour l'art contemporain at the turn of the millennium; two decades later, she returns to the exhibition spaces of Jean Nouvel's iconic building in the midst of a similarly contentious global environment with two new sculptures specially created for the occasion.
These pieces explore how the contemporary proliferation of images--via print and pixel, from deep space to the deep web--fundamentally changes our relationship to time, memory and the physical presence of objects. This catalog was designed in close collaboration with the artist, detailing the execution of Sze's installation. An essay by philosopher Bruno Latour, a conversation between Sze and Jean Nouvel, and an essay by exhibition curator Leanne Sacramone provide further insight into the process behind this work and Sze's artistic philosophy.
These pieces explore how the contemporary proliferation of images--via print and pixel, from deep space to the deep web--fundamentally changes our relationship to time, memory and the physical presence of objects. This catalog was designed in close collaboration with the artist, detailing the execution of Sze's installation. An essay by philosopher Bruno Latour, a conversation between Sze and Jean Nouvel, and an essay by exhibition curator Leanne Sacramone provide further insight into the process behind this work and Sze's artistic philosophy.
Sarah Sze's second solo show at the Fondation Cartier is accompanied by a richly illustrated catalog with 48 different covers
American artist Sarah Sze (born 1969) exhibited her first solo show at the Fondation Cartier pour l'art contemporain at the turn of the millennium; two decades later, she returns to the exhibition spaces of Jean Nouvel's iconic building in the midst of a similarly contentious global environment with two new sculptures specially created for the occasion.
These pieces explore how the contemporary proliferation of images--via print and pixel, from deep space to the deep web--fundamentally changes our relationship to time, memory and the physical presence of objects. This catalog was designed in close collaboration with the artist, detailing the execution of Sze's installation. An essay by philosopher Bruno Latour, a conversation between Sze and Jean Nouvel, and an essay by exhibition curator Leanne Sacramone provide further insight into the process behind this work and Sze's artistic philosophy.
Format: Paperback, 208 Pages
Dimensions: 23.5 x 34 cm
Language: English
Author: Leanne Sacramone
Interviewees: Sarah Sze, Jean Nouvel
Publisher: Fondation Cartier pour l'art contemporain, 2021
ISBN: 9782869251496
American artist Sarah Sze (born 1969) exhibited her first solo show at the Fondation Cartier pour l'art contemporain at the turn of the millennium; two decades later, she returns to the exhibition spaces of Jean Nouvel's iconic building in the midst of a similarly contentious global environment with two new sculptures specially created for the occasion.
These pieces explore how the contemporary proliferation of images--via print and pixel, from deep space to the deep web--fundamentally changes our relationship to time, memory and the physical presence of objects. This catalog was designed in close collaboration with the artist, detailing the execution of Sze's installation. An essay by philosopher Bruno Latour, a conversation between Sze and Jean Nouvel, and an essay by exhibition curator Leanne Sacramone provide further insight into the process behind this work and Sze's artistic philosophy.
Format: Paperback, 208 Pages
Dimensions: 23.5 x 34 cm
Language: English
Author: Leanne Sacramone
Interviewees: Sarah Sze, Jean Nouvel
Publisher: Fondation Cartier pour l'art contemporain, 2021
ISBN: 9782869251496
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